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Leveret (12 March 2017)

FolkOnMonday presents

LEVERET

Sunday 12 March 2017 at 7:30 pm

Leveret features three of England's finest folk musicians in an exciting new collaboration. Andy Cutting, Sam Sweeney and Rob Harbron are each regarded as masters of their instrument and are involved in numerous collaborations with a huge range of artists. Together their performances combine consummate musicianship, compelling delivery and captivating spontaneity.

 

At Heath Street Baptist Church. See map and get directions.

Tickets £15.40 available here.

www.leveretband.com

www.folkonmonday.co.uk


Leveret's music is firmly rooted in the English tradition but sounds fresh and new, with original settings of ancient tunes sitting alongside new compositions by some of today's finest tunesmiths in the folk field. Their music is not arranged at all in the conventional sense: instead it is played entirely in the moment, combining consummate musicianship, compelling delivery and captivating spontaneity in a sound which feels both timeless and contemporary. The material may come from archive sources and manuscripts, but there is nothing academic or historical about the sound: it's warm, listenable, engaging and refreshing.

Fiddler Sam Sweeney is the current BBC Radio 2 Folk Awards 'Musician of the Year', thanks to his work in Bellowhead, Eliza Carthy's Wayward Band, The Full English and his own Made In The Great War project. Melodeon genius Andy Cutting is a two-time winner of that award, and as well as his new trio with Martin Simpson and Nancy Kerr currently performs with Blowzabella, Topette, June Tabor, and Roger Daltry. Concertina wizard Rob Harbron is known for his work with The Full English (Best Group and Best Album BBC Folk Awards 2014), Emma Reid, Fay Hield, Jon Boden and others.


“Classy players … their intuitive way with tunes is glorious.”

Mojo

“You won’t find English folk music played better than this.”

R2

“Inspiringly good.”

fROOTS

“The intimacy and the intensity of this in the round experience was unlike anything I had heard all year. “In folk, it’s the sound of what’s to come”

TheArtsDesk.com

“Music of a rich, sinewy immersion, guided by a mutual sense of exploration, space and a very English kind of swing. It’s an intimate, contemporary reinvention of the source material”

The Guardian

“This glimmering set of instrumentals cuts unfailingly elegant lines”

The Sunday Times

“Sublime, exquisite music – don’t miss them”

Martin Simpson